Alice Neel believed that “art is a form of history.” Born in 1900, she claimed that “I represent the 20th century… I’ve tried to capture the zeitgeist.” Yet her painting bore no resemblance to the vast canvases of iconic scenes from the French revolution by Jacques-Louis David, Anne-Louis Girodot, or Theodore Gericault. Instead, she portrayed the history of the 20th century through individual people — neighbors, friends, artists, celebrities, and political activists — that she knew in New York City, a city which might be considered the capital of the 20th-century — the successor to Paris as “the capital of the 19th-century.”
Mexican (In)Visibility: Melissa Castillo Planas's Journey Into New York's Mexican State of Mind
Reviewed by Nelson Santana
When one thinks about Mexican migrants, often what comes to mind, partly due to conservative narratives, are Mexican-descended people in the US-Mexico border states of California, Arizona, New Mexico, and Texas. However, the Mexican community — some whose ancestors lived on Mexican land prior to the Treaty of Guadalupe Hidalgo (1848) and who suddenly went from living in Mexico to living in the United States on the same land[1] — is dispersed throughout the United States with significant populations in Illinois, Washington, DC, and New York. The Mexican population in New York City is one that has been booming for quite some time.
Kara Murphy Schlichting Interviewed by Garrett Reed Gutierrez
In New York Recentered: Building the Metropolis from the Shore, Kara Murphy Schlichting offers a fresh perspective on New York City’s history by shifting readers’ gaze away from Manhattan and towards the coastal periphery—where local planning initiatives, waterfront park building, the natural environment, and a growing leisure economy each had a stake in the regional development of New York City. Schlichting’s regional and environmental approach frames New York’s extensive waterways as points of connection that unite, rather than divide, the urban core and periphery to one another.
Dead Rivers and Day’s End: Cruising and Preserving New York’s Queer Imaginaries
By Fiona Anderson
Whenever I’m in New York, I make a point of spending time looking at the wooden pilings that stand in the Hudson, remnants of the warehouses and piers that occupied the waterfront until the mid-1980s. Gathered together in intimate coalition, they jut up and out along the riverside like rugged swimmers leaping in to rescue a drowning comrade. They look both like placeholders for future construction and hardy traces of a long-lost culture, like a forgotten work by Robert Smithson or an American Pompeii. This area is the subject of my recent book Cruising the Dead River: David Wojnarowicz and New York’s Ruined Waterfront (University of Chicago Press, 2019),which looks at how and why this site hosted a vibrant cruising scene and art scene in the late 1970s and early 1980s.
The Chinese Lady: An Interview with Nancy E. Davis
Interviewed by Hongdeng Gao
Today on the blog, editor Hongdeng Gao speaks to Nancy E. Davis about her recent book, The Chinese Lady: Afong Moy in Early America. Through creative use of disparate sources from many years of research, Davis captures the experiences of Afong Moy — the first recognized Chinese woman to arrive in America — as she introduced exotic goods from the East, as well as Chinese life, to the American public. The book provides rich insights into how Afong Moy’s presence changed Americans’ views of China and influenced American popular and material culture. It also sheds light on New York City’s role in the early US-China trade and the rise of the global marketplace.
In the political ferment of early 20th century New York City, when socialists and reformers battled sweatshops, and writers and artists thought a new world was being born, an immigrant Jewish woman from Russia appeared in the Yiddish press, in Carnegie Hall, and at rallies. Her name was Rose Pastor Stokes, and she fought for socialism, contraception and workers’ rights.
Though post-COVID statistics will reflect restaurant closures, downsizing, or “ghost kitchens,” as of the summer of 2020 there were 27,556 restaurants operating in New York City, 977 of which were Mexican. To some, this latter number might not be surprising (and even seem low given the popularity of Mexican cuisine). Yet just a few decades ago, New York was a place where Mexican food was hard to find. It lagged behind other cities like Chicago, San Antonio, or Los Angeles that claimed larger Mexican-origin populations and a longer history of Mexican restaurants.
“Working-Class New York Revisited” Conference Honors Joshua Freeman
By Marc Kagan
“I do hope that this book illuminates the possibilities for ordinary people to play a greater role in shaping their city and nation than they do today.” Joshua Freeman, Working-Class New York, 2000. New York City’s working-class had real political, economic, and social power for almost thirty years after World War II. That power, expressed primarily through private- and, increasingly, public-sector unions, made life substantially better not just for their own members, but millions of other working-class New Yorkers.
In Radical Imagination, Radical Humanity: Puerto Rican Political Activism in New York, Rose Muzio analyzes how structural and historical factors — including colonialism, economic marginalization, racial discrimination, and the Black and Brown Power movements of the 1960s — influenced young Puerto Ricans to reject mainstream ideas about political incorporation and join others in struggles against perceived injustices. This analysis provides the first in-depth account of the origins, evolution, achievements, and failures of El Comité-Movimiento de Izquierda Nacional Puertorriqueño, one of the main organizations of the Puerto Rican Left in the 1970s in New York City.
The First Cinemas in Black Harlem: A Look at the Silent Film Era, 1909-1926
By Agata Frymus
The history of cinemas in Harlem is as old — or, in fact a few years older — than its history as a lively center of Black life. Movie houses that opened their doors to African Americans in the late 1900s and early 1910s offer a fascinating insight into the history of Harlem’s residents.
