A Sound as International as the City Itself: A Review of Benjamin Lapidus' New York and the International Sound of Latin Music, 1940-1990
Reviewed by Matthew Pessar Joseph
New York and the International Sound of Latin Music boasts an ambitious title. Yet Benjamin Lapidus’s history of Spanish Caribbean music in Gotham does not disappoint. By exploring overlooked Cuban, Puerto Rican, Panamanian, and Jewish performers, dancers, music teachers, and instrument builders, the author shows how between 1940 and 1990 New York served as a transnational mecca for Latinx music.
Read MoreFreedom Songs: Socialist Multiculturalism and the Protest Lyric from Percy Shelley to Chaim Zhitlovsky
By Benjamin Schacht
As protests exploded around the United States in the wake of the excruciating police murders of George Floyd and Breonna Taylor last June, the venerable New York City-based Yiddish daily the Forward ran a story with the headline “‘We Shall Overcome’ sung in Yiddish.” Highlighting the ongoing dialogue between American Jews the civil rights movement, the article mostly focused on a recently adapted Yiddish version of the classic civil rights anthem. But it also touched on a somewhat more obscure Yiddish contribution to the movement, Un du akerst, un du zeyst (“And you plow, and you sow,” also known as “The Hammer Song”), a song that Theodore Bikel performed for a movement audience in the early 1960s.
Read MoreDispatches from “Anthropoid Ellis Island”: New York City’s More-Than-Human History
By Barrie Blatchford
New York City’s status as entrepot for millions of new Americans is one of the most well-known aspects of American history. But much less understood is that the city has long been the epicenter of the American (nonhuman) animal trade, a shadowy and little-studied subject that was nevertheless of enormous importance and pecuniary value.[1] Indeed, as New York City welcomed millions of new human immigrants in the decades after the Civil War, the increased mobility of the era also facilitated a rapidly expanding trade in animals. The creatures swept up in this trade were destined for often-dismal fates in zoos, circuses, travelling road shows, medical research laboratories, and as exotic pets — provided they survived the arduous trip to America in the first place.
Read MoreThe Unequal City: A Review of Racial Inequality in New York City since 1965
Reviewed by Kenneth S. Alyass
New York City is a nexus of racial and class inequality. The COVID-19 pandemic and the subsequent economic fallout has made this all too clear. Nearly one in four New Yorkers of color have lost their job since March. City institutions like the MTA and CUNY, which the majority-minority population of the city rely on in their daily lives, are facing apocalyptic budget cuts. And while the media’s attention is often on the abandonment of corporate offices in downtown Manhattan, thousands of small businesses owned by people of color — the lifeblood of neighborhoods — have shut down, usually for good.
Read MoreEveryday Politics are Everywhere in Arab New York: Emily Wills' Ethnography of a Community Under Pressure
Reviewed by Todd Fine
The defeat of Donald Trump promises the imminent end of the “Muslim ban” targeting people from several Arab countries, yet the challenges facing Muslim and Arab communities in the United States will surely continue. In the recent book Arab New York, University of Ottawa political scientist Emily Regan Wills seeks to depict how Arab communities in New York City, whose lives are greatly shaped by external politics, engage in politics themselves.
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One Day in New York, 1882: Interview with Filmmaker Arne Peisker
Interviewed by David Huyssen
Today on the blog, David Huyssen speaks with Arne Peisker, a director with the German/American production company, Story House Productions, about his new documentary film, One Day in New York, 1882. The film is part of a series, and in the final stages of production for one of Germany’s major national broadcasters, ZDF.
Read More“Ten Thousand Bigamists in New York”:
The Criminalization of Jewish Immigrants Using White Slavery Panics
By Mia Brett
The late 19th century and early 20th century saw a huge influx of Jewish immigrants settling in New York City. Eastern European Yiddish speaking immigrants fled the Pale Settlements due to violent pogroms and punitive decrees after the assassination of Tsar Alexander II in 1881.[1] This rise in immigration created a backlash of nativism and criminalization. In particular, anti-Jewish bigotry in New York City’s criminal justice system began to take the form of large-scale stereotypical assumptions as police, judges, prosecutors, and investigators became more familiar with Jewish immigrants from Russia and Poland.
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Refuge in the Heights: Migration, Memory and Authoritarianism in the Twentieth Century
By Robert W. Snyder
Immigrants travel with baggage, and some of the most important things they carry are their memories of life in their original homes. In Washington Heights and Inwood, where immigrants include German Jews, Dominicans, and Jews from the former Soviet Union, personal and collective memories embrace an unusual cast of characters: some of the most brutal dictators of the 20th century.
Upper Manhattan is haunted, you might say, by memories of Hitler, Trujillo, and Stalin.
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Jump Up! Caribbean Carnival Music in New York City
Reviewed by Gage Averill
It is fitting that it was two New Yorkers in the early 1930s, Harold Arlen and Ted Koehler, who composed the showtune “I Love a Parade,” because for all the diversity and excess of its public processions, there is likely no city anywhere that has exceeded New York. The home of the renowned ticker-tape parades, the Macy’s Day Parade, the St Patrick’s Day Parade, NYC Pride the Village Halloween Parade, and numerous ethnic celebrations (modeled on St. Patrick’s), New York City’s streetscapes have conferred both prestige and visibility on those who have been able to muster the necessary funding and authorizations and crowds. It is not without a powerful sense of the current moment, the Covid-19 pandemic, that I’ve taken on the otherwise enviable, and the now more somber, task of reviewing a book about some of the most raucous, colorful, noisy and crowded events in New York: Brooklyn’s Caribbean Carnival celebrations.
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