“Are these not my streets?”: May Swenson, New York City, and the Federal Writers Project
By Margaret A. Brucia
Drawn to New York by her exposure to Lost Generation authors and the work of Alfred Stieglitz and his circle of artists, May Swenson left the security of her loving Mormon family in Utah during the depths of the Great Depression. After struggling to hold a series of low-paying positions, withering prospects for employment threatened her continued existence in New York. By a devious route, May joined the ranks of the Federal Writers Project, plunged into New York’s cauldron of creativity and went on to become a leader in the field of modern poetry.
On a winter day in February 1967, pedestrians gawked as a young African American man walked along Fifth Avenue in New York City: He stood 6 feet, 3 inches tall, aged twenty-five and he was clearly in fighting shape.[1]
“Is that you, Muhammad Ali?’ one woman exclaimed. “You're so handsome."
Interview: Andrea Mosterman on her book, Spaces of Enslavement
Interviewed by Deborah Hamer
In her new book, Spaces of Enslavement: A History of Slavery and Resistance in Dutch New York, Dr. Andrea Mosterman looks at the lives of enslaved people in New Netherland and Colonial New York from the 1620s until 1820. She shows how central enslaved labor was to individual households and to the colony as a whole and how this dependence on enslaved people shaped life for all New Yorkers — Black and white — over this two hundred year period.
Interview: Thomas Balcerski on Sailor's Snug Harbor
Interviewed by Ryan Purcell
Today on Gotham, editor Ryan Purcell interviews Thomas Balcerski about his recent New York Historyessay about the history of Sailor’s Snug Harbor. Sailor’s Snug Harbor, located along the Kill Van Kull in New Brighton, on the northern shore of Staten Island, was opened in 1833 as the country’s first home for retired seamen from the US Merchant Marine and the US Navy. Supported through an endowment left in the estate of Revolutionary War soldier and ship Captain Robert Richard Randall, Snug Harbor served retired sailors through the 19th century.
New York’s water problem has been on my mind because in the evening after I arrived in the city on September 1, 2021 to start a fellowship at the New-York Historical Society, Hurricane Ida barreled through the region. The water was devastating. Dozens died in basement apartments or when they unwittingly drove their cars into flooded streets and got swept away by the rushing water. Media filled with video of torrents of water pouring into the subway and dramatic water rescues in New Jersey.
“People Love the Rat”: How Scabby, Labor’s Mascot, Took New York
By Benjamin Serby
Anyone who has spent time in New York will not be surprised to learn that it is the most rat-infested city in the United States, with an estimated population of two million (roughly one rat for every four people). Strangely, rats are part of the city’s culture — and long have been. As Luc Sante explains in Low Life: Lures and Snares of Old New York, rat-baiting was the city’s “premier betting sport” in the 19th century. Boys were paid to collect rats from the street “at a rate of five to twelve cents a head,” and spectators wagered on how quickly fox terriers or “men wearing heavy boots” could massacre dozens of them at a time.
Review: New York, New Music, 1980-1986, Museum of the City of New York
Reviewed by Jeffrey Escoffier
The Museum of the City of New York has opened an ongoing exhibition, New York, New Music, 1980-1986, covering the full range of new music from modernist avant-garde to rock — punk, new wave, no wave & noise — to salsa, hip hop, and pop. The exhibit not only commemorates the numerous musical pioneers and performers that thrived in New York during this period, celebrates the dozens of venues that provided stages for the musical performances, and shows the interaction between musicians, visual artists, designers, and cultural entrepreneurs, it also situates the music of 1980s New York in time and place.
