In Olmsted and Vaux’s Greensward Plan, the only sculpture was one atop the fountain at the center of Bethesda Terrace. The commission for the sculpture was given in 1863 to Emma Stebbins (1815-1882), an American-born sculptor working in Rome who happened to be the sister of a member of the Board of Commissioners of Central Park.
This post is an excerpt from the author's new book, Central Park: The Early Years.
Read MoreThe Bowery emerged from the Depression greatly the worse for wear. But the old days remained the same at McSorley’s, despite some changes of ownership. When the childless Bill McSorley felt the heavy hand of age settling on him, he sold the place in March 1936 to a retired policeman named Daniel O’Connell. Bill McSorley died on September 21, 1938, and Dan O’Connell followed him in December 1939. Dan willed the saloon to his daughter Dorothy O’Connell Kirwan, who found herself inheriting a saloon that, as a woman, she had never been allowed to enter. After some reflection on the matter, Dorothy decided to continue John McSorley’s venerable no-women tradition. She allowed herself no exception to this rule, setting foot in the place only when it was closed on Sunday mornings to tally up the week’s receipts.
This post excerpted with permission from The Bowery: The Strange History of New York’s Oldest Street by Stephen Paul DeVillo. Copyright © 2017 by Skyhorse Publishing, Inc.
Read MoreThe settlement was to be called New Amsterdam, and it would serve as headquarters of New Netherland, which stretched from New England to Virginia. The Dutch had claimed the vast territory — a claim the English refused to recognize — after Henry Hudson in 1609 sailed the Half Moon up the river that would bear his name.
From Devil's Mile: The Rich, Gritty History of The Bowery by Alice Sparberg Alexiou, copyright 2018 by the author and reprinted by permission of St. Martin's Press.
Read MoreNew York City can be overwhelming in its vastness — more than 300 square miles, more than 8.5 million people, and so many distinct neighborhoods and languages spoken here that the number of neighborhoods and languages aren’t even fully agreed upon. New York City’s streets are the nervous system binding this far flung place and giant population together and their idiosyncrasies seem fitting for this metropolis — Edgar Street and Mill Lane in Manhattan vie for shortest street, while my childhood in Queens was punctuated by persistent confusion about whether I lived on 68th Road, Drive, or Avenue. Each borough has a Main Street, and Waverly Place has the distinction of being the only street in New York that actually crosses itself.
Read MoreA specter haunted the city and port of New York during the Quasi-War (1798-1800) and the years preceding it. With the young republics of France and the United States engaged in undeclared naval warfare, New Yorkers feared a seaborne strike would lay waste to their community and cripple its thriving maritime commerce. Although unrealized, these fears were certainly justified; despite attempts to construct an adequate system of defense, the city remained incapable of withstanding assault. Indeed, in March 1798, one official highlighted New York’s vulnerability, noting that its immense wealth and property “invite invasion” and that it would be helpless if set upon by a “single Twenty Gun privateer.” Many residents recalled with bitterness the great fire of 1776, a conflagration that had destroyed a quarter of the city, and feared that New York would soon be revisited by a similar trauma.
Read MoreFounded by Marcus Garvey, with the assistance of Amy Ashwood, in Kingston, Jamaica, in 1914, the UNIA (Universal Negro Improvement Association) was the largest and most influential Pan-Africanist movement of the twentieth century. Emphasizing racial pride, black political self-determination, racial separatism, African heritage, economic self-sufficiency, and African redemption from European colonization, Garvey envisioned the UNIA as a vehicle for improving the social, political, and economic conditions of black people everywhere. From Kingston, Jamaica, Garvey oversaw UNIA affairs before relocating to Harlem. At its peak, from 1919 to 1924, the organization attracted millions of followers in more than forty countries around the world.
This post is excerpted and adapted from Set the World on Fire: Black Nationalist Women and the Global Struggle for Freedom, courtesy of University of Pennsylvania Press.
Read MoreToday on Gotham, editor Nick Juravich sits down with Joanna Scutts to discuss her new book, The Extra Woman: How Marjorie Hillis Led a Generation of Women to Live Alone and Like it.
Read MoreToday on Gotham, editor Nick Juravich speaks with Lauren Elkin, about her recent book Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London, selected as a Book of the Year by the Financial Times, Guardian, New Statesman, Observer, The Millions and Emerald Street, and shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay.
Read MoreAt the age of twenty-six Donald Trump had sealed his first multi-million-dollar deal. It was a sweet thing for a young man who had been his father’s full-time student ever since graduation from Wharton. Every morning he and his father drove from Jamaica Estates to Fred Trump’s modest office in Beach Haven, one of the large housing developments the older man had built near Coney Island in the early 1950s. Inside a nondescript, three-story brick building on Avenue Z, the headquarters of the Trump family empire still looked like the dentist’s office it had once been, with a linoleum floor, shag carpet, and chest-high partitions between cubicles.
This is the last of three profiles of the Trump patriarchs, adapted from the author's bestseller, The Trumps: Three Builders and a President, courtesy of Simon & Schuster.
Read MorePunk culture, like most subcultures, depends upon mythology. These mythologies are built around people, spaces, and events of the past, often reused to create something new — pieced together in what cultural theorist Dick Hebdige calls “bricolage.” Daniel Kane’s “Do You Have a Band?”: Poetry and Punk Rock in New York City attempts to demystify one particular aspect of the early days of the New York City punk scene: its connection to the New York poetry scene. In a way, this work functions much like a sequel to the author’s 2003 work, All Poets Welcome: The Lower East Side Poetry Scene in the 1960s, focusing primarily on the well-known. Kane gives just about equal time to both analysis of poetic influences and to biography, intertwining them in his narrative. Do You Have a Band? is divided into chapters that focus on The Fugs, Lou Reed, St. Mark’s Poetry Project, Richard Hell, Patti Smith, Eileen Myles, Dennis Cooper, and Jim Carroll. The author’s decision to focus on these individuals and places does not surprise — they all fit into a sort of mythologized New York proto-punk canon. When given the opportunity to talk about punk-poets outside the canon, Kane avoids researching the less-famous individuals who were part of the scene. This focus on the select few is particularly noticeable in choices such as Kane’s decision not to elaborate upon the lesser known poets that figured into the mimeograph punk poet magazine published by Richard Hell — leaving the mythology of the New York punk-poetry scene largely intact.
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