"People of the City": Children in the City

“People of the City”: Children in the City

By Robert A. Slayton

The Ashcan artists viewed the people of the city from a unique perspective. Unlike the elites, they did not consider these individuals their biological inferiors. Yet they also differed from the reformers, in that they rejected the notion that the people who lived in dense city neighborhoods were inherently subjects of pity. Instead, Henri, Sloan, Myers, and the others painted children and women and men, each from these individuals' own, unique perspective, rather than imposing a worldview on them. By so doing, in their paintings and drawings, they gave working-class individuals agency, showing how these people adapted to the world around them in a myriad of ways, ways that often enabled them to attain a measure of control over some parts of their lives.

Arts & Culture, Excerpts, Progressive EraGuest UserAugust 7, 2018Comment

"Vision From An Ashcan": A Radical Exploration of New Subjects

By Robert A. Slayton

The Ashcan school represented a challenge to its era. In a fundamental reinterpretation of art’s appropriate subject matter, it threw down a gauntlet, of canvas and paint, to the art world both of the right and of the left. It did not see the city through the narrow peephole of the elites, instead introducing new landscapes, new characters. But these perspectives were also different from what the reformers saw. This new approach painted the rest of the city, with beauty, endowing urban and working-class individuals of all ages and genders with agency and will. In so doing, the Ashcan artists created one of the great American art forms.

Arts & Culture, Excerpts, Progressive EraGuest UserAugust 2, 2018Comment

Basketball and Black Pride: Kareem Abdul-Jabbar and Resident Organizing in New York City Public Housing

By Nick Juravich

In the summer of 1968, Kareem Abdul-Jabbar — known at the time as Lew Alcindor, and just barely twenty-one years old — was already a basketball legend. Impossibly tall and incredibly talented, he had led New York City’s Power Academy to 71 straight wins before joining John Wooden’s UCLA Bruins. After a year on the “freshman team,” he had led the varsity to back-to-back NCAA titles, winning tournament MVP both times (he would add another title and MVP in 1969). And that summer, if you were a kid growing up in one of the New York City Housing Authority’s (NYCHA) developments, you could meet the legend in person.

Arts & Culture, Postwar New York, Race & EthnicityGuest UserJuly 31, 2018 Comment

"Out of ashes comes beauty": An interview with Jeffrey C. Stewart

Today on Gotham, Peter-Christian Aigner speaks with Jeffrey C. Stewart about his new book, The New Negro: The Life of Alain Locke, the most comprehensive biography on the "father of the Harlem Renaissance."

Arts & Culture, Gender & Sexuality, Interviews, Progressive Era, Gilded Age, Race & EthnicityGuest UserJuly 17, 2018Comment

Cartooning the City: Roz Chast and Julia Wertz

Reviewed by Martin Lund

When I was asked by Gotham to review Roz Chast’s Going into Town: A Love Letter to New Yorkand Julie Wertz’s Tenements, Towers & Trash: An Unconventional Illustrated History of New York City, I had no idea what to expect. Both writer-illustrators are known for tackling a wide variety of topics, albeit most commonly personal subjects. Both Chast and Wertz work in styles of art and storytelling that are readily identifiable, even as their work always delivers something new. With this in mind, all I knew for certain when I said yes to the request to review was that I would be getting two books of graphic arts that dealt with New York City, and that I would be able to tell who had done which book. Anything else, it seemed to me, was anybody’s guess. How the two would relate to each other was similarly up for grabs; they could be boringly similar or wildly different.

Arts & Culture, Contemporary Era, ReviewsGuest UserJune 12, 2018Comment

Brooklyn-Queens Day: New York's Persistent Holiday

By Katie Uva

It’s the first Thursday in June! To most people, that means little more than that it is almost the first Friday in June, and that it was just the first Wednesday in June. But to New York City school children, it means Brooklyn-Queens Day, a gratuitous day off to go to amusement parks, run through sprinklers, and monitor the steady progress of ice cream melting down one’s face and arms. Nowadays, this holiday is a citywide phenomenon and has been renamed Chancellor's Day, but those of us old-timers who went to school before 2006 remember when Brooklyn-Queens Day used to be only for kids in Brooklyn and Queens, the one day of the year when kids in Manhattan actually envied us. But what is Brooklyn-Queens Day anyway?

Brooklyn, Queens, Arts & CultureGuest UserJune 7, 2018 Comment

Ruinous, Bleak and a Bitter Sense of Freedom

By Jeffrey Escoffier

Photography, at least before the digital era, has a special relationship to history. Unlike other visual images, photographs are ‘traces’ of what they portray— they are the direct result of light reflected from objects in front of the camera onto a chemical emulsion. The photographic trace is recorded at a moment of time and then stored for future viewing; it is, thus, automatically an historical representation. According to cultural critic Siegfried Kracauer, the historical significance of photographs rests on their capacity to record things normally unnoticed at the time.

Arts & Culture, Gender & Sexuality, Reviews, Urban Decline & Fiscal CrisisGuest UserApril 12, 2018Comment

Jennifer Packard's A Taste of Broadway: Food in Musical Theater

Reviewed by Morgen Stevens-Garmon

“Food, glorious food” sing the workhouse boys of Lionel Bart’s musical Oliver!, and so too sings Jennifer Packard in her new book A Taste of Broadway: food in musical theater, the latest offering in Rowman & Littlefield’s series, Studies in Food and Gastronomy. Part food history, part musical theater analysis, and part cookbook, A Taste of Broadway presents a flavorful if slightly confused dish.

Arts & Culture, Postwar New York, ReviewsGuest UserApril 5, 2018Comment

Gordon Matta-Clark: Anarchitect at the Bronx Museum of the Arts

By Craig Lee

In an unexpected but deft move, Gordon Matta-Clark: Anarchitect at the Bronx Museum of Arts (November 8, 2017 to April 8, 2018) begins in the lobby above the XM Café — a partnership with Fountain House, a community program supporting people with mental illness. Upon entering the museum, accessible to all through the free admission policy, visitors turn and see an open seating area filled with tables and chairs with the café’s food and beverage service counter against the back wall. Above, where one might find a menu display board, instead is the introductory wall panel for the exhibition. Rather than providing a comprehensive survey of Gordon Matta-Clark’s too brief (he died of pancreatic cancer in 1978 at 35 years of age), but prolific and influential creative practice in the 1970s, the exhibition is tightly organized around a handful of key projects and explorations.

Arts & Culture, Bronx, Reviews, Urban Decline & Fiscal CrisisGuest UserMarch 20, 2018Comment

The Cultural Origins of the Urban Crisis: An Interview with Brian L. Tochterman

Today on Gotham, editor Nick Juravich interviews Brian L. Tochterman about his new book, The Dying City: Postwar New York and the Ideology of Fear, about the competing narratives that shaped the city after World War II, in the age of mass suburbanization and deindustrialization.

Arts & Culture, Interviews, Politics, Postwar New York, Urban Decline & Fiscal CrisisGuest UserMarch 1, 2018Comment