Streets in Play: The Playstreets Photography of Katrina Thomas
By Rebekah Burgess and Mariana Mogilevich
Photographs of recreation programs like this one were commissioned to offer visual proof that, after four summers of nation-wide protest and violence, starting in Harlem and Bedford-Stuyvesant in 1964, the city was compensating for a long-term lack of investment in low-income, racially segregated neighborhoods…. A few of Thomas’ images were utilized for official purposes, reproduced in pamphlets to attract or to thank program sponsors, but her exceptional eye transcended the municipal task. Her lens recorded the city's sponsored activities as well as the more candid action at the edge of the frame. These captivating, impromptu images provide a rare perspective on a distressed urban landscape, privileging a child’s-eye view of the possibilities for play and delight.
Boy with the Bullhorn: A Memoir and History of ACT UP New York
Review by Rachel Pitkin
In six parts, Ron Goldberg’s Boy with the Bullhorn: A Memoir and History of ACT UP guides readers through what can often seem like a dizzying terrain of AIDS-related political networks, medical jargon, and direct-action campaigns. The tour is intimate and strikingly honest. Goldberg, a self-described unsuspecting activist, charts his growth from an aspiring theater actor to core ACT UP member and finally—with the publication of The Boy with the Bullhorn—to a “witness.”
Ono’s earliest performances took place in the Chambers Street Loft Series, which featured artists who had met in [John] Cage’s composition class at the New School. For this performance series, Ono conceived the idea of renting the loft of a hundred-year-old Italianate commercial building in Tribeca and paid the $50.50 monthly rent. Ono co-organized the series with the composer La Monte Young. Nonetheless, her works did not appear formally on the series program. And Ono found herself denied credit for her role in organizing and producing the series, which Young claimed as solely his own in the series invitations, programs, and oral history….Ono creatively responded to the challenge of her own noninclusion by staging dramatic guerilla performances.
Grand Emporium, Mercantile Monster: The Antebellum South’s Love-Hate Affair with New York City
Review by Emily Holloway
In 1788… a mere 62 bales were shipped to Europe via New York, compared to 153,757 less than thirty years later (2)….Despite the lengthy and arduous journey, tourists, planters, and writers flocked to the city... During their visits, these elite southerners – many of whom owned cotton plantations -- were rubbing elbows with New York’s mercantile and financial leaders,… The close social ties that developed between these classes built on their intimate financial connections through cotton… southern writers remarked critically on the vast economic inequality on display throughout the rapidly growing city, a characteristic they frequently tied to the machinations of industrial capitalism. This critique was frequently deployed as a reaction to northern abolitionist sentiments, a false equivalence between the ravages of industrial “wage slavery” and the racist violence of plantation slavery.
Kazan’s efforts, combined with the power of the city’s labor movement and astute political alliance making, led to the building of 40,000 homes for working class New Yorkers. At a time when The Housing Question has rarely been more pressing than since Frederick Engels first raised it in 1872, recognising Kazan’s legacy is important. He successfully developed a model that worked: an alternative to the brutality of the housing market that, despite many challenges, has endured.
Bound by Bondage: Slavery and the Creation of a Northern Gentry
Review by Emily Holloway
Maskiell argues that both social groups – the enslavers and the enslaved – built, maintained, and challenged their respective terms of community and belonging, whether through diplomacy or corporate mergers disguised as marriage arrangements or by sustaining regional networks of contacts to foment rebellion and resistance. The text at times navigates a vast geographic scale, but successfully keeps the narrative grounded in the roots of elite Dutch society in seventeenth century New Netherlands…The overall book project seeks to illuminate the incremental and cumulative changes along with the continuities linking Dutch colonial practices to English colonial institutions in the transition from New Netherlands to New York.
Shirley Chisholm: Champion of Black Feminist Power Politics
Review by Michael Woodsworth
Chisholm entered Congress as a vocal opponent of the Vietnam War, a staunch defender of the Great Society, an advocate of expanded welfare benefits, and an unapologetic feminist. Despite her reputation as a “fiery idealist,” Curwood argues, she was also “ruthlessly pragmatic.” Chisholm was a coalition builder: she helped to found the Congressional Black Caucus as well as the National Women’s Political Caucus…. The 1972 presidential primary run remains Chisholm’s signature moment.… Chisholm may have been a transformational figure, but, as Curwood shows, she was also a product of her times. Her rise, accomplishments, and setbacks match, almost too perfectly, the arc of 20th-century American liberalism.
Musical Migration and Imperial New York: Early Cold War Scenes
Review by M. Syd Rosen
Musical Migration and Imperial New York contends that by understanding how experimental music was enlisted in the American imperial project—indeed, by examining how such music co-produced this project—we might better understand the complicated ways in which creative experimentation is entangled with questions of identity and institutional power. The author is well aware of the scale of her task, which investigates how “state ambitions on a planetary scale” resulted in experimental music operating as “a force field of US global prestige and power.”
During her life, some members of the public drew connections between her antisemitism and her fervent anti-Zionism. But Woloch is right to separate these developments--there were Jews who rejected Zionism and many non-Jewish anti-Zionists who were not antisemitic. Gildersleeve pointed to her affection for Arab people and nations as the root of her anti-Zionism. This affection was, to be sure, inflected with Orientalism and the desire of some Progressives to remake Arab nations in the Protestant image. Still, she saw in Zionism the makings of bitter conflict in the Middle East. …Gildersleeve was active in the American Friends of the Middle East, a CIA-funded organization designed to cultivate closer ties between the U.S. and Middle East Arab nations… Digging deep into her controversial positions on Jews and Zionism, Woloch explains how the pieces of Gildersleeve’s worldview fit together.
The Pirate’s Wife: the Remarkable True Story of Sarah Kidd
Review by Kevin McDonald
…[S]he has produced a lively and entertaining biography of Sarah Kidd, from her arrival to the city through her multiple marriages and business dealings, with the book’s main focus on her relationship with William and the aftermath of his notorious demise. The narrative hits full sail when the privateer-turned-pirate returns from the Indian Ocean and Sarah becomes his accomplice in crime. Overall, the book is a stirring and fast paced yarn that helps reveal another layer of the Kidd saga, and more broadly suggests that the old axiom, “behind every great man is a great woman,” might be true even when dealing with pirates.
